单选题

阅读判断：下面的短文后列出了7个句子，请根据短文的内容对每个句子作出判断：如果该句提供的是正确信息，请选择A;如果该句提供的是错误信息，请选择B;如果该句的信息文中没有提及，请选择C。 When Our Words Collide “Wanna buy a body?” That was the opening line of more than a few phone calls I got from freelance(自由职业 ) photographers when I was a photo editor at U.S. News. Like many in the mainstream press, I wanted to separate the world of photographers into “them”, who trade in picture of bodies or chase celebrities, and “us”, the serious news people. But after 16 years in that role. I came to wonder whether the two worlds were easily distinguishable. Working in the reputable world of journalism, I assigned photographers to cover other people’s nightmares. I justified invading moments of grief, under the guise(借口) of the reader's right to know. I didn’t ask photographers to trespass(冒犯) or to stalk(跟踪),but I didn’t have to: I worked with pros(同行) who did what others did: talking their way into situations or shooting from behind police lines to get pictures I was after. And I wasn’t alone. In the aftermath of a car crash or some other hideous incident when ordinary people are hurt or killed, you rarely see photographers pushing past rescue workers to capture the blood and gore(血雨腥风). But you are likely to see the local newspaper and television photographers on the scene - and fast. How can we justify our behavior? Journalists are taught to separate doing the job from worrying about the consequence of publishing what they record. Repeatedly, they are reminded of a news-business dictum(格言): leave your conscience in the office. You get the picture of the footage: the decision whether to print or air it comes later. A victim may lie bleeding, unconscious, or dead: your job is to record the image. You put away your emotions and document the scene. We act this way partly because we know that the pictures can have important meaning. Photographs can change deplorable(凄惨的) situations by mobilizing public outrage or increase public understanding. However, disastrous events often bring out the worst in photographers and photo editors. In the first minutes and hours after a disaster occurs, photo agencies buy pictures. Often an agency buys a picture from a local newspaper or an amateur photographer and put it up for bid by major magazines. The most keenly sought “exclusives” command tens of thousands of dollars through bidding contests. Many people believe that journalists need to change the way they do things, and it’s our pictures that annoy people the most. Readers may not believe, as we do, that there is a distinction between sober-minded “us” and sleazy(低级庸俗的) “them”. In too many cases, by our choices of images as well as how we get them, we prove our readers right. Journalists aren’t supposed to think about whether they are doing the right thing.

A Right

B Wrong

C Not mentioned

解析： 译文：记者们并不一定要去考虑他们所做事情为正确与否。
相关的信息在第五段How can we justify our behavior? Journalists are taught to separate doing the job from worrying about the consequence of publishing what they record. Repeatedly, they are reminded of a news-business dictum(格言): leave your conscience in the office. You get the picture of the footage: the decision whether to print or air it comes later. A victim may lie bleeding, unconscious, or dead: your job is to record the image. You put away your emotions and document the scene.
本题有一定的难度，题干的核心意思同第五段的整体意思相符，第五段的核心意思是：记者要将个人的喜好和他所做的工作相分离，他只需拍到令人信服的新闻图片，而不要太多考虑由此所带来的或好或坏的结果。题干的意思其实是将第五自然段的中心意思进行了总结，核心意思（essential meaning）没有本质的区别，因此选择right.