一起来体验一下专四专八考试的真实难度

发布时间:2021-10-07


备考英语专四专八考试的考生,都听说考试非常难。今天51题库考试学习网分享了专四专八的阅读理解练习题,考生们一起来体验一下真实的难度。

International irade fairs have become extremely important venues For conducting business. yet very few domestically based sales organizations have an understanding of how to cake advantage of the opportunities that these shows present. Unlike U.S. trade shows. at which there is an open display of one\\'s goods and services and a 1ot of looking but no buying. a European trade show is relatively closed and only open to those who are there to conduct business.The U.S. company often will spend a lot of money to set up an open display with charming sales people with little seniority or authority. The exhibit is saying. in effect, everyone and anyone is welcome but do not ask too many questions or expect to conduct any serious business. A comparable German exhibit will be more like a fortress where savvy gatekeepers will quickly weed out all but the most important clients who. once allowed into the inner sanctum, will meet directly with senior managers. The message that this exhibit is sending out is that only very special people are welcome and that is its privilege to be allowed to stay.   In some societies. the first thing people care about is quality ("Is it the best?"); in other societies, the first thing on a customer\\'s mind is the cost("How cheap is it?"); and in other countries. the concern is style "\\'How does it look?"). The color. size. and quantity of items need to be. considered in the packaging of any product. The color blue is for funerals in some countries,smaller items are preferred over large items, and number of items in a package can be critical. For example. a golf ball manufacturer unknowingly packaged their golf balls in groups of four and then set 50.000 units to their Asian distributor who promptly sent them all back, advising the manufacturer to repackage the golf balls in packages of three.In many of the countries where the golf balls were to be distributed, the number 4 was equated with death whereas the number 3 is symbolic of long life. For golfers who are known to he superstitious, the number of golf balls in each package was more important to the distributor than the quality of the product.

1.The author may most probably agree that the U.S. trade shows are___________.

A) unsatisfactorily-conducted   

B) businessman-targeted   

C) delicately-decorated   

D) profit-oriented

2.By comparing the U.S. trade shows and the European ones, the author means to________.

A) indicate the advantages of the European trade shows   

B) show the different opportunities provided by the trade shows   

C) prove different people\\'s preference for different trade shows   

D) emphasize the importance of international trade shows

3.The gatekeepers of the German exhibits can best be described as“______________”.

A) restrained   

B) shrewd   

C) modest   

D) decent

4.The golf balls were sent back to che manufacturer because_______________.

A) the distributor was ignorant of the symbolic meaning of numbers   

B) the golfer wanted them to be repackaged   

C) the manufacturer didn’t consider the quantity of items when packaging   

D) the distributor was not able to sell them all

5.It can be inferred from the passage that. when conducting business. one should___________.   

A) put the quality of the product before any other Factors   

B) realize the importance of international trade fairs   

C) employ professional and experienced sales people   

D) cake people\'s different beliefs into account

以上就是今天51题库考试学习网为考生们分享的英语专四专八考试的相关练习题,考生们做完之后,感受一下考试的难易程度,才能预估出自己的作答能力,才会找到学习的方向。


下面小编为大家准备了 专四专八考试 的相关考题,供大家学习参考。

The Americans won the war of independence in the decisive battle at ______.

A.Boston

B.Yorktown

C.Norfolk

D.Pittsburgh

正确答案:B

Charles does not like customers who ______.

A.are very rude

B.keep talking to him when he is busy

C.only buy small things

D.bargain with him too much

正确答案:A

How many generators does the shuttle carry?

A.One.

B.Two.

C.Three.

D.Four.

正确答案:C

Practically speaking, the artistic maturing of the cinema was the single-handed achievement of David W. Griffith (1875-1948). Before Griffith, photography in dramatic films consisted of little more than placing the actors before a stationary camera and showing them in full length as they would have appeared on stage. From the beginning of his career as a director, however, Griffith, because of his love of Victorian painting, employed composition. He conceived of the camera image as having a foreground and rear ground, as well as the middle distance preferred by most directors. By 1910 he was using close-ups to reveal significant details of the scene or of the actors. The exploitation of the camera's possibilities produced novel dramatic effects. By splitting an event into fragments and recording each from the most suitable camera position, he could significantly vary the emphasis from camera shot to camera shot.

Griffith also achieved dramatic effects by means of creative editing. By juxtaposing images and varying the speed and rhythm of their presentation, he could control the dramatic intensity of the events as the story progressed. Despite the reluctance of his producers, who feared that the public would not be able to follow a plot that was made up of such juxtaposed images, Griffith persisted, and experimented as well with other elements of cinematic syntax that have become standard ever since. Those included the flashback, permitting broad psychological and emotional exploration as well as narrative that was not chronological, and the crosscut between two parallel actions to heighten suspense and excitement. In thus exploiting fully the possibilities of editing, Griffith transposed devices of the Victorian novel to film and gave film mastery of time as well as space.

Besides developing the cinema's language, Griffith immensely broadened its range and treatment of subjects. His early output was remarkably eclectic, it included not only the standard comedies, melodramas, westerns, and thrillers, but also such novelties as adaptations from Browning and Tennyson, and treatments of social issues. As his successes mounted, his ambitions grew, and with them the whole of American cinema. When he remade Enoch Arden in 1911, he insisted that a subject of such importance could not be treated in the then conventional length of one reel. Griffith's introduction of the American-made multireel picture began an elaborate historical and philosophical spectacle. It reached the unprecedented length of four reels, or one hour's running time. From our contemporary viewpoint, the pretensions of this film may seem a trifle ludicrous, but at the time it provoked endless debate and discussion and gave a new intellectual respectability to the cinema.

The author of this passage seems to imply that Victorian novels ______.

A.are like films

B.may not narrate events chronologically

C.exploit cinema's language

D.feature juxtaposed images

正确答案:B

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