最后冲刺:2021年考研英语模拟试题(2020-10-17)
发布时间:2020-10-17
英语是考研初试当中比较拉分的科目,历来令不少考生又爱又恨。许多考生的英语都有很大的进步空间,因此英语该如何学就成为了众多考生关心的重点。想要学好英语,实战经验很重要。下面,51题库考试学习网为大家带来考研初试英语科目的一些模拟试题,正在备考的小伙伴赶紧练起来吧。
Part B
Directions:
In the following article, some sentences
have been removed. For Questions 41-45, choose the most suitable one from the
list A-F to fit into each of the numbered blank. There is one extra choice that
does not fit in any of the gaps. Mark your answers on ANSWER SHEET 1.(10
points)
Theories of the value of art are of two
kinds, which we may call extrinsic and intrinsic. The first regards art and the
appreciation of art as means to some recognized moral good, while the second
regards them as valuable not instrumentally but as objects unto themselves. It
is characteristic of extrinsic theories to locate the value of art in its
effects on the person who appreciates it. (41) .
The extrinsic approach, adopted in modern
times by Leo Tolstoy in Chto takoye iskusstvo? (1896; What Is Art?), has seldom
seemed wholly satisfactory. Philosophers have constantly sought for a value in
aesthetic experience that is unique to it and that, therefore, could not be
obtained from any other source. The extreme version of this intrinsic approach
is that associated with Walter Pater, Oscar Wilde, and the French Symbolists,
and summarized in the slogan “art for
art’s sake.” (42) .
Between those two extreme views there lies,
once again, a host of intermediate positions. We believe, for example, that
works of art must be appreciated for their own sake, but that, in the act of
appreciation, we gain from them something that is of independent value. (43) .
The analogy with laughter—which, in some views, is itself a species
of aesthetic interest—introduces
a concept without which there can be no serious discussion of the value of art:
the concept of taste. (44) .
Similarly, we regard some works of art as
worthy of our attention and others as not. In articulating this judgment, we
use all of the diverse and confusing vocabulary of moral appraisal; works of
art, like people, are condemned for their sentimentality, coarseness,
vulgarity, cruelty, or self-indulgence, and equally praised for their warmth,
compassion, nobility, sensitivity, and truthfulness. (The same may apply to the
object of natural beauty.) Clearly, if aesthetic interest has a positive value,
it is only when motivated by good taste; it is only interest in appropriate
objects that can be said to be good for us. (45) .
[A] Thus a joke is laughed at for its own
sake, even though there is an independent value in laughter, which lightens our
lives by taking us momentarily outside ourselves. Why should not something
similar be said of works of art, many of which aspire to be amusing in just the
way that good jokes are?
[B] All discussion of the value of art
tends, therefore, to turn from the outset in the direction of criticism: Can
there be genuine critical evaluation of art, a genuine distinction between that
which deserves our attention and that which does not? (And, once again, the
question may be extended to objects of natural beauty.)
[C] Art is held to be a form of education,
perhaps an education of the emotions. In this case, it becomes an open question
whether there might not be some more effective means to the same result.
Alternatively, one may attribute a negative value to art, as Plato did in his
Republic, arguing that art has a corrupting or diseducative effect on those
exposed to it.
[D] Artistic appreciation, a purely
personal matter, calls for appropriate means of expression. Yet, it is before
anything a process of “cultivation”, during which a certain part of one’s “inner self” is “dug out” and some knowledeg of the outside world becomes its match.
[E] If I am amused it is for a reason, and
this reason lies in the object of my amusement. We thus begin to think in terms
of a distinction between good and bad reasons for laughter. Amusement at the
wrong things may seem to us to show corruption of mind, cruelty, or bad taste;
and when it does so, we speak of the object as not truly amusing, and feel that
we have reason on our side.
[F] Such thinkers and writers believe that
art is not only an end in itself but also a sufficient justification of itself.
They also hold that in order to understand art as it should be understood, it
is necessary to put aside all interests other than an interest in the work
itself.
答案
41.C 42.F 43.A 44.E 45.B
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